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Penelope Cruz dazzles audience in Woody Allen’s latest feature
Woody Allen’s 39th installment will, among other things, quench an intellectual cinematic thirst that has been snoozing in a den of stupid-comedies since the Oscars, save those of you who watched any of the late HBO miniseries’ or movies, including “John Adams,” “Recount” and “Generation Kill.”
In “Vicky Christina Barcelona,” a type-A lanky brunette, a free-spirited blonde artist in search of her calling, an attractive and impulsive established painter and, in the words of The Economist, a “sloe-eyed, chain-smoking Iberian hurricane” are tossed together in a mixture that - in the end - reveals how treacherous and impatient, yet astonishingly close to inconsequential, an episode of romance can be.
The backdrop, Spain’s northeastern city of Barcelona, is idyllic in the sense that it strongly appeals to the three of the movie’s senses: culture, art and romantic getaways. [Whitman Pioneer]
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